Tag Archives: British Author

Review: I Am Not a Serial Killer by Dan Wells

Review: I Am Not a Serial Killer by Dan Wells

I Am Not a Serial Killer
It’s not unusual to encounter a book claiming that its main character is not an ordinary boy. There are those born with the ability to master magic, or sired by a powerfuly deity inheriting his/her extraordinary powers, or someone who has the ability to wield a legendary sword. John Wayne Cleaver is not an ordinary boy but he is not the type expected to save the world. In fact, he may be the one to endanger it.

John Wayne Cleaver is a clinically diagnosed sociopath and he has all the tendencies of becoming a serial killer. He sees serial killing as an art in itself and serial killers as true artist. However, he knows killing people is not right so to keep the monster inside him at bay, he created a set of rules he must strictly follow. So far he’s successful at trying to appear and act as normal as he can be. That is until a bona fide serial killer begins slaughtering innocent victims in his home town. John Cleaver thinks he is the only one who can understand the killer therefore the only one capable of identifying him, and ultimately, catching him. But to trace the killer’s activities means freeing himself from his self-imposed rules that may eventually unleash the monster the monster he was trying hard to contain.

The first thing that striked me when I began reading I Am Not a Serial Killer was John Wayne’s voice. Dan Wells managed to give him a voice that is both disturbing and refreshing. Being inside our main character’s head was no easy task. His thoughts and the way he processed them felt completely alien to me. At the beginning of the book, I saw myself as a mere audience to John’s dark narration. Take the first sentence of the second chapter as an example(note that John’s mother and aunt are the town’s local morticians):

    "We didn't get Jeb Jolley's body that night, or even soon 
after, and I spent the next week in breathless anticipation, 
running home from school every afternoon to see if it had arrived 
yet. It felt like Christmas."

The passages get only darker as the story progress and as you read onwards the more you get pulled into John’s way of thinking. There were several points in the story when I caught myself completely inside John’s mind, seeing things the way he sees them. It really did messed up with my mind, but hey, I’m not complaining. You have to give it to Dan Wells. The guy knows how to make you see and think in a very different perspective.

One thing also worth noting is the book’s structure: it was one half crime investigation novel and one half supernatural-thriller. I can see how this may be a problem for some readers. It was easy to assume that the author ran out of idea on how to continue the story so he took an easy route by the unexpected shift of genre. But I am not in agreement to this opinion. The first half of the novel are spent on identifying the killer: who he is and what were his motives. In the similar fashion, this part also tells us about John Cleaver especially why he became who he is. Then at the second half, we see John battling with the killer/demon and at the same time — with his  set of rules having neglected– battling with the monster inside him. The more John devise the perfect plan to stop the killer the more he succumbs to his inner monster. By this point, it was difficult to distinguish his true reason. Is he really concern for the safety of the people in his town knowing beforehand that he doesn’t process emotions the way normal people do or is he just satisfying the hunger for the kill the monster inside him feels? This was not an easy question to answer and the author does not force on you what to believe. Having the two-different-genre-part structure highlighted the conflict between a demon with a very human motivation and a human boy who may possibly have monstrous motives.

I Am Not a Serial Killer was not an easy read. It really have ways to make you feel uncomfortable on your seat and send shivers to your spine. (That particular scene when John was fuming over his mother in the kitchen shocked the wits out of me.) Without a doubt, this is a stand-out novel on the YA category. Dan Wells wrote a thrilling novel heavily rooted on his well-rounded and curious characters. I cannot promise you that you won’t regret reading this because there’s a huge possibility that you will, especially when you read it during night-time but that makes it more tempting to read it, doesn’t it? I am not a serial killer, but John Wayne Cleaver? That, you have to figure out yourself.

Rating: ★★★★★

Other Reviews to Consider:
Thirst for Fiction | The Book Smugglers | Wondrous Reads

Review: Mortal Engines by Philip Reeve

Review: Mortal Engines by Philip Reeve

With the dystopian boom the market is now seeing, it’s kind of hard to find a true dystopian novel. Strange, isn’t it? There are lots of ‘dystopian’ novels being published these days but only few of it really fits the genre. Yeah, some books tries but that’s what makes the difference: it tries, it doesn’t just be. Gone was the bleak tone of the narrative. Gone was the relentless nature of the society. Gone was the subtle questions the readers have to ask themselves. What we have instead is a love story that happens to occur in a pseudo-dystopian– pseudo because it feels completely artificial– society. It sucks. I’m not saying that a dystopian novel can’t have a love story in it. It can but it doesn’t have to be the element that thrust the narrative forward and it certainly doesn’t have to be the only thing that defines and motivates the heroes. Remember MT Anderson’s Feed? One of the best in this genre, in my opinion. Romance was very prominent in that book but it was never wholly about the romance.

Of course, we have different standards as to what books we qualify as dystopian. I am just speaking for myself and I am simply not a fan of the kind of dystopian novels that are being published recently. How do I satisfy my hunger for books that in my standards qualifies as dystopian? I look for titles that were released before the genre became insanely popular. That is exactly how I came across Philip Reeve’s Mortal Engines. I can say that this strategy works because Mortal Engines is an honest-to-goodness dystopian novel. I love it.

After a long time of staying idle, the London traction city is back on its wheels, ready to hunt smaller towns. Everyone in the city is excited including Tom Natsworthy, a third-class apprentice in the Guild of Historians. But after saving his hero who is also the city’s darling, Valentine, from an assassination attempt, he found himself thrown off the mobile city with no less that the would-be assassin herself, Hester Shaw. As he spends time with this mysterious and scarred girl and board mobile town after mobile town in hope of chasing his beloved city, he slowly uncover the truth behind the Lord Mayor’s decision to return to the Hunting Ground. Tom has to choose a side and act fast before history repeats itself and the civilization he know meets its doom.

One of the most notable things about Mortal Engines is Philip Reeve’s finesse on tying together pacing and world-building, something we don’t get to see too often. The world as we know it almost died after the so-called  60-Minute War, leaving few cities with a poisoned land and scarce resources. In order to survive to this kind of environment, these cities adapted Municipal Darwinism, a system in which they had to build their cities on wheels and hunt one another to get resources. This system resulted to a literal town-eats-town world. Without reading the book, it is rather hard to wrap your head around this idea but the amount of detail Philip Reeve puts into the novel made this idea appear plausible. It felt complete and it made a lot of sense.

The Traction City of London Chasing After a Small Mining Town

After reading that paragraph, it would seem that this novel is heavy on world-building. It is not. Trust me, I put down a lot of epic fantasy books already because of its exhausting information dumps just to create a believable world. Mortal Engines is a mile far from those kind of books. There was not a point in the novel when Tom and Hester’s adventure was halted to give way to detailed explanations of how different their world is from us. It’s an exhilirating chase to the breathtaking(and harrowing) finale. You’d be at the edge of your seat every moment of their thrilling adventure.

The complexity of the characters are also worth mentioning. As we explore the vast emptiness of the Hunting Ground, we are also introduced to the characters, who they are, what they want and what motivates them. This doesn’t applies only to the lead characters but also the secondary ones, and it’s a pretty big cast, mind you. These characters make the terrible mistakes and pay for it later on. They have unpleasant motivations. They are certainly the kind of people in their history that almost killed earth. These characters are incredibly flawed that makes them incredibly human.

Mortal Engines can be enjoyed on so many levels. Philip Reeve is an author that doesn’t compromise. The amount of thought he gave into realizing his imagined world, weaving plot points, creating tension and drawing complex characters makes this novel worth-reading. This is a very gripping and grim story set in a fully-realized dystopian society — this is exactly how I want my dystopian novels served.

Rating: ★★★★★

Other Reviews to Consider:
Thirst for Fiction | See Michelle Read | TeenReads

2010 Books A-List

2010 Books A-List

Late list is late, I know, but it’s my blog. I run this shit so I can post whatever I want whenever I want. And that’s me defending my laziness and procrastination. I feel kind of bad that I wasn’t able to post this on the planned date. It’s as if there’s a part of me that wasn’t able to face the new reading year yet because of this. There is an unfinished business that needs closure. So here I am, your proven top-class procrastinator, finishing something I should have finished 2 weeks ago.

This list is quite a no-brainer for those people who had the misfortune of interacting with me this past year. Whenever I read something I really liked, I just wouldn’t shut up. I don’t think it’s an unhealthy habit, though. More often than not, they also end up liking the books I raved about non-stop. To you guys I say, You’re Welcome! :) Before I gloat too much you’d hit that little X button, let’s head on already to my carefully analyzed, calculated, double-checked(, procrastinated) best books of the year list.

Honorable Mentions:

  • Tomorrow Series by John Marsden
  • Scott Pilgrim The Comic Series by Brian O’Malley
  • Nick and Norah’s Infinite Playlist by David Levithan and Rachel Cohn
  • Gatekeepers Series by Anthony Horowitz
  • Rot & Ruin by Jonathan Maberry

10. Monstrumologist by Rick Yancey
This gruesome Gothic novel set in Victorian London took me by surprise. I had zero expectation before reading it so it was a complete shock to me when I’m beginning to realized that what I was reading is a brilliant one. Rick Yancey’s superb writing requires a little getting use to, but once you get familiar with the writing style, it is such a rewarding experience.

“Several  times I caught myself looking away from the text as if I was watching it instead, and such cowardly actions such as looking away will make me miss those violent and gory scenes.” [Reviewed here.]

9. Fablehaven:Rise of the Evening Star by Brandon Mull
Rise of the Evening Star transported me back to the simple yet fantastic wonders of Fablehaven. It was a perfect combination of awe-inspiring fantasy and a mystery that will keep you guessing until the end. The ending was totally unexpected, and it really did turned the entire story upside-down.

“The surprises hidding on Brandon Mull’s sleeves is seemingly infinite and he just keeps pulling one until the very last page.” [Reviewed here.]

8. The Lost Hero by Rick Riordan
Oh man, Red Pyramid really got me worried sick that Rick Riordan might had lost his magic already. Either that, or I already outgrew his style. You probably can’t imagine what relief it was when I found myself enjoying The Lost Hero. It was a great introduction to the new Percy Jackson’s spin-off series, Heroes of Olympus. I cannot wait for the clash of the Greek camp and the Roman camp. (Oh, come off it! It’s released for about 3 months already! A real fan of the series would have already know about the existence of the Roman gods and demigods in the new series.) (And it’s bound to have a clash between camp, right? It will be a capital L for lame if the two camps agreed to help each other right away.)

“I still think that The Lost Hero is the best from Rick Riordan so far” [Reviewed here.]

7. The Enemy by Charles Higson
The first dystopian novel in the list. Big cast of characters, relentless dialogue, and gruesome deaths here, there and everywhere — this zombie novel is really made of pure awesome. There’s nothing cooler than calling the brain-dead, brain-hungry zombies as Mothers and Fathers. It is often compared to Michael Grant’s GONE novels as both series shares some elements, but I’m totally okay with it. I love them both and they can exist side-by-side peacefully.

“He’s[Charlie Higson] a psychopath. He will let you get attached to a certain character first, then he will kill it. He’s like, ‘You’re liking this character, eh? What would you feel if I do this’, then he’ll kill that character in the most brutal way possible.” [Reviewed here.]

6. GONE novels by Michael Grant [GONE, HUNGER, LIES]
I told you they can exist side-by-side peacefully. And yes, I’m cheating as I placed three books in the series in one number. It’s one series I’m really invested into. I might end up writing a 1000-word review so just let me express my initial reactions after finishing each books:
GONE: The story is freaking on steroids! [Reviewed here.]
HUNGER: Boy oh boy! Chips, pizza, and burgers tasted even better after finishing this. [Reviewed here.]
LIES: Mind-fuck! Paranoia! You just don’t know what to believe. [Reviewed here.]

5. Unwind by Neal Shusterman
The dystopian novels goodness continues! This is one of those books wherein you have to remind yourself to stop and breath. You will not be granted the time to rest while reading this book. It always shifts from intense action sequence to tear-jerking moments, then back to intense action sequences, and so forth. Every single character has their own bleak and heartbreaking stories to tell. It was a complete roller-coaster ride of emotions.

“For Unwind, I’m willing to bet myself to be unwounded if someone I know will not like it.” [Reviewed here.]

4.Ender’s Game by Orson Scott Card
To My Dearest Battered Copy of Ender’s Game,

I’m really sorry if I threw you to the wall several times while reading you. It just so happens that you have one of the most mind-blowing twists ever. I couldn’t help it. I feel nauseous after you told me that, and I blacked out. I didn’t know what I am doing after that. The next thing I knew, you were lying there on the floor, battered. I’m afraid I’ve been a little bit of a sadist towards you. Forgive me.

Regretfully Yours,
Aaron Vincent

“Every scene in the battleroom will fill your hearts with desire and envy that you wish you can play in there too. This is not an exaggeration or whatever, I actually had a dream that I was playing inside the battleroom the night I am halfway through the book.” [Reviewed here.]

3. Chaos Walking by Patrick Ness [The Knife of Never Letting Go, The Ask and The Answer]
This is I Am Cheating (Cause I Can) 2.0. I don’t even know where to start praising this awesome series. It’s breathtaking, mind-blowing, and poignant. It filled with characters you will sympathize with, villains to loath, and plots that will make you gasp. I didn’t dare to read the final book yet because Book #2 on this list left me with lots of wounds. I was afraid that if I read Monsters of Men, I’ll die(shut up!). What a wuss I am. I swear that when I muster all the courage I need, I’ll finish reading this series. Watch this space. I am.

“This is the king of kings, the Mick Jagger of YA Dystopia” [Reviewed here.]
“You will feel short out of breath as momentum increases and gravity pulls you down as you plunges down deep into the water. And as you try to swim towards the surface of the water you’ll discover that it was now suddenly covered with glass.” [Reviewed here.]

2. Mockingjay by Suzanne Collins
Haters gonna hate, but that won’t stop me from adoring this wonderful and satisfactory finale of Suzanne Collins The Hunger Games series. If only this list is based on the number of tears shed because of the book, this one’s right there at the top. That little episode in my room when I finished reading this at 4 in the morning, crying while 30 Seconds to Mars’ This is War album is playing on the background must be the weirdest episode in a life of a teenage boy you will ever see. This book left a permanent mark on me.

“I dare say, the odds have been in my favor.” [Reviewed here.]

And the Book of the Year is…

1. Paper Towns by John Green
As this very moment, I have 10 Filipino friends in Goodreads that’s either read this book or currently reading it. I’d love to think that I’m part of the reason for this status. John Green was never a big thing here in my country, and I may not have the capability to turn this land to a full-pledged Nerdfighteria, but I am extremely happy that I was able to spread the awesomeness. Paper Towns was an entertaining and a beautiful read. Everyone gets a miracle. My miracle was this: I came across this wonderful book and it changed me and my perspective.

“It made me laugh, cry, and at the same time it made me think and feel and feel infinite.” [Reviewed here.]

There you go, folks, my ten best reads for last year: 1 Gothic Fiction, 2 Fantasies, 6 Dystopia, and 1 Contemporary YA. These are the books that made my 2010 reading year extremely awesome. Now I can officially start a new reading year. I have a feeling this year is going to be as great as the last one.

The Declaration by Gemma Malley

The Declaration by Gemma Malley

It’s year 2140. Aging, lethal diseases such as cancer, AIDS, etc., and even death is no longer a problem, much thanks to the Longevity drugs. Mankind achieved what seemed to be the impossible, immortality. The world soon realized that this poses a problem. If no one will die and people keeps of reproducing, what will just happen to the limited resources of the planet? So they introduced the Declaration, an agreement a person have to sign that devoid them the rights to bear a child once they choose to take the Longevity drugs. There is, of course, another choice, an unpopular one, Opting Out. This will give the person the opportunity to have a child, but they must agree that they will never take the wonder drug. Any child conceived by couples who didn’t Opted Out are considered illegal and tagged as a Surplus.

Anna, 15 years old, is a Surplus. She resides at Grange Hall along with other Surpluses. They are taught that their existence is a crime against Mother Nature, and the only way they can pay the Sins of their Irresponsible Parents is by being a Valuable Asset(read: slave). Anna Knows Her Place(read:believes she’s worthless) and strives hard to be a Valuable Asset. Then Peter, a Surplus who grew up on the Outside, arrives at Grange Hall. Peter forced his way into Anna’s life, turning her world upside down.

Gemma Malley penned an entertaining dystopian novel that is rooted upon the questions our society is currently facing. She was able to draw — albeit presented in massive info dumps at the beginning of the book — a solid dystopian world that is not far from coming to life what with all the day-to-day advancement in Science and our day-to-day diminishing perception on what it means to be human, and as a person.

There’s just one question — a logical one, I assume — that I kept asking while reading it, and was only answered towards the latter half of the book; If the government is so keen on eliminating reproduction, why not include contraceptives in the Longevity drug. It was answered, yes, but I just don’t buy the kind of answer Malley gave me. I thought she took the easy way out. The author shouldn’t have left it like that even if (just guessing) she’s planning to raise it again on the sequels. It just dug a hole in the entire story.

Perhaps I’m already nitpicking but I just can’t let this pass. The ending was a wee bit too melodramatic for my taste. I’ve seen it a hundred of times in our local tv series. It’s been a long time since I stopped watching these kind of series but I think I’ve already seen enough for me to not like it when it makes a guest appearance on the books I read. It also hurts the book that I saw it coming  miles away. I’m very particular with endings, and this ending was just a big let down for me. It’s not enough for me to dislike the book, but enough for me to consider it a mediocre one.

The Declaration, by any means, is one flawed boo but it is still thought-provoking one, which is a feat for something you can read in the span of 2-3 hours. If you have 3 hours to spare, read it – who knows, you might like it more than I did.

 

 

 

YA-D2 Challenge Book #5

Rating: ★★★★★★

Other Reviews to Consider:
Bart’s Bookshelf | The Book Smugglers | DeRaps Reads | Presenting Lenore

The Roar by Emma Clayton

The Roar by Emma Clayton

The Roar was described by the readers whose judgment I trust as something like a mash-up of the popular books under the dystopian genre. In some ways, this is true. It has evident elements that I’ve already read on my favorite dystopian novels but it also does have elements that helped the book to stand its own.

It’s the year 2050 on Earth, and the entire human population was forced to inhabit the Northern Hemisphere, behind The Wall. Twins Ellie and Mika are among the first generation of kids to be born 30 years after the global epidemic known as The Plague. Ellie, for suspicions that she possess special abilities, was kidnapped and everyone were made to believe that she’s dead except her twin brother, Mika. Mika can feel the connection and certain that her twin sister is alive. He is to prove that he is right even if it means joining a dangerous virtual game set by the Northern Government.

One of the strongest points of The Roar is the effective dystopian world building. The world behind The Wall was divided into two; the rich live in the upper level known as The Golden Turrets while the poor live on the lower level, The Shadows. People are dying in The Shadows because they didn’t have any choice but to live off processed molds for food and amidst the increasing polluted water levels. Life in The Shadows is miserable and it is scary. There’s this particular scene where every time someone from The Shadows die, the people will bang the pillars that holds The Golden Turrets making the sound, “Boom Boom”. I was filled with dread every time I hear the sound.

Through this horrible world, I learned to feel sympathy for the characters – Ellie and Mika among others. They are separated but you can see the link between them. What one learns, the other learns and what one feels the other feels too.  Throughout the duration that they are separated, I anticipated the moment when they will be reunited, half-expecting it to be something magical. This did not only help to keep the plot moving forward, but also for the smooth transition of perspectives.

And speaking of perspectives, there’s one perspective I am glad to see; the perspective of the “bad guy”, Mal Gorman. If you’ve read any of my reviews before, you know that I want my villains with strong character development. Emma Clayton didn’t disappoint me with Mal Gorman. Gorman’s characterization is every bit as strong as the twin’s. He has fair share of nightmares, he has fears, and his vulnerabilities were not masked. He did sound evil whenever we’re at the twin’s perspective but I kept wondering what Gorman’s real purpose was, what drives him to do such things, and whether he really is a bad guy or not. The Roar, aside from the violent games, also shares another important element from one of the most popular, if not the most popular dystopian novel today, The Hunger Games, and that is Media Fabrication. As to how does Media Fabrication comes to play in The Roar and what has  it got to do with Mal Gorman is for me to know and for you to find out.

 

 

YA-D2 Challenge Book #4

Rating: ★★★★★★