Category Archives: Reviews

Review: I Am Not a Serial Killer by Dan Wells

Review: I Am Not a Serial Killer by Dan Wells

I Am Not a Serial Killer
It’s not unusual to encounter a book claiming that its main character is not an ordinary boy. There are those born with the ability to master magic, or sired by a powerfuly deity inheriting his/her extraordinary powers, or someone who has the ability to wield a legendary sword. John Wayne Cleaver is not an ordinary boy but he is not the type expected to save the world. In fact, he may be the one to endanger it.

John Wayne Cleaver is a clinically diagnosed sociopath and he has all the tendencies of becoming a serial killer. He sees serial killing as an art in itself and serial killers as true artist. However, he knows killing people is not right so to keep the monster inside him at bay, he created a set of rules he must strictly follow. So far he’s successful at trying to appear and act as normal as he can be. That is until a bona fide serial killer begins slaughtering innocent victims in his home town. John Cleaver thinks he is the only one who can understand the killer therefore the only one capable of identifying him, and ultimately, catching him. But to trace the killer’s activities means freeing himself from his self-imposed rules that may eventually unleash the monster the monster he was trying hard to contain.

The first thing that striked me when I began reading I Am Not a Serial Killer was John Wayne’s voice. Dan Wells managed to give him a voice that is both disturbing and refreshing. Being inside our main character’s head was no easy task. His thoughts and the way he processed them felt completely alien to me. At the beginning of the book, I saw myself as a mere audience to John’s dark narration. Take the first sentence of the second chapter as an example(note that John’s mother and aunt are the town’s local morticians):

    "We didn't get Jeb Jolley's body that night, or even soon 
after, and I spent the next week in breathless anticipation, 
running home from school every afternoon to see if it had arrived 
yet. It felt like Christmas."

The passages get only darker as the story progress and as you read onwards the more you get pulled into John’s way of thinking. There were several points in the story when I caught myself completely inside John’s mind, seeing things the way he sees them. It really did messed up with my mind, but hey, I’m not complaining. You have to give it to Dan Wells. The guy knows how to make you see and think in a very different perspective.

One thing also worth noting is the book’s structure: it was one half crime investigation novel and one half supernatural-thriller. I can see how this may be a problem for some readers. It was easy to assume that the author ran out of idea on how to continue the story so he took an easy route by the unexpected shift of genre. But I am not in agreement to this opinion. The first half of the novel are spent on identifying the killer: who he is and what were his motives. In the similar fashion, this part also tells us about John Cleaver especially why he became who he is. Then at the second half, we see John battling with the killer/demon and at the same time — with his  set of rules having neglected– battling with the monster inside him. The more John devise the perfect plan to stop the killer the more he succumbs to his inner monster. By this point, it was difficult to distinguish his true reason. Is he really concern for the safety of the people in his town knowing beforehand that he doesn’t process emotions the way normal people do or is he just satisfying the hunger for the kill the monster inside him feels? This was not an easy question to answer and the author does not force on you what to believe. Having the two-different-genre-part structure highlighted the conflict between a demon with a very human motivation and a human boy who may possibly have monstrous motives.

I Am Not a Serial Killer was not an easy read. It really have ways to make you feel uncomfortable on your seat and send shivers to your spine. (That particular scene when John was fuming over his mother in the kitchen shocked the wits out of me.) Without a doubt, this is a stand-out novel on the YA category. Dan Wells wrote a thrilling novel heavily rooted on his well-rounded and curious characters. I cannot promise you that you won’t regret reading this because there’s a huge possibility that you will, especially when you read it during night-time but that makes it more tempting to read it, doesn’t it? I am not a serial killer, but John Wayne Cleaver? That, you have to figure out yourself.

Rating: ★★★★★

Other Reviews to Consider:
Thirst for Fiction | The Book Smugglers | Wondrous Reads

Review: Pathfinder by Orson Scott Card

Review: Pathfinder by Orson Scott Card

I had to distance myself away from this book before I wrote this review. If I did not, I would have just hit the caps lock and type, THIS IS THE COOLEST YA BOOK EVER!! Shift 1. Shift 1. I just did exactly that, didn’t I? Oops. After being blown away by Ender’s Game last year, you think I’ve learned my lesson and expect nothing less from Orson Scott Card? I didn’t, but I know a lot better now.

Rigg can see path human and animals made whether it’s from the distance past or the near present. He has been living most of his life isolated in the woods with only Father as his companion. Father taught him a lot things, most of which Rigg believes he will never need. That changed when Father suddenly died leaving him a task to find his sister, 19 jewels and his name. A name that could also be his death sentence. Rigg soon realized that Father prepared him for something bigger than what he can ever fathom and there’s more to his ability than just seeing people’s path. At the beginning of each chapter, we follow the character of young Ram as he command a ship journeying from Earth to a distant planet for human to colonize. It will only take you half-way through the book before you can put two and two together and see the larger picture.

Orson Scott Card combines tropes commonly found from young adult fantasy and science-fiction and produced a book that proves his mastery of both genre. Although marketed as a young adult novel, Pathfinder possess a very complex and sophisticated narrative involving space and time-travel and filled with secrets and intrigues that will keep the reader turning the pages. At the acknowledgement page, the author stated that he started writing the book knowing that he’ll challenge common rules of time travel, and he did. I don’t consider myself an expert on time-travel but neither am I a novice. I started reading Pathfinder with my preconceptions on how time-travel works. I had a hard time wrapping my head around the rules Card set for this novel. But after I suspend my preconceptions, everything made sense and needless to say, I love every bit of it. I guess it would not be an empty statement if I say that Pathfinder has a very intelligent plot the we rarely get to see in young adult novels. Pathfinder doesn’t force you to think so you can follow the narrative or else you’ll get left behind. It dares you to and that’s one of the many the beauties of it.

Space time travel plays a huge part in this book but it is not the only thing this book can offer. The main storyline(Rigg’s) was set in a land called Aressa Sessamo. This land was previously ruled by a monarchy that was decreed to be ruled only by the females until an uprising came that turned the government into People’s Revolution. Fast forward to present time, there are factions who want to maintain the Revolution but there are some that wants the female-ruling monarchy back and a few in favor for a male-ruling monarchy. The political intrigue in this novel is very complicated and for an unfortunate reason, Rigg is in the centre of all of it. For some this could mean that Card has got into his political babble once again. Not for me. The political situation of Aressa Sessamo is a consequence of what happened in the land’s past therefore will play a vital part on our heroes future.(Excuse the vagueness of that statement. I am carefully treading on a spoiler-mined land here.) And I’ll be honest, it was really fun figuring out whose on which side of the fence.

Genius is what Pathfinder is. The only reason I can think of for you not to enjoy this is if you hold bias over the author’s opinion on certain topics before reading the book. I am also in opposition with some of the author’s perspectives. He can have his opinion and I can have mine, but this won’t stop me from enjoying his books. It’s not like he is exploiting his fans like other fan-fiction writer authors do. Having an opinion is not a crime, is it? A great storyteller is a great storyteller no matter what. There’s a reason why Orson Scott Card has been in this business for a very long time and Pathfinder is definitely one of those. If you haven’t tried any Orson Scott Card novel yet(my god, what’s wrong with you?), this is a good place to start.

Rating: ★★★★★

Other Reviews to Consider:
King of the Nerds | Good Books and Good Wine | Dreams Stuff Books

Review: Z by Michael Thomas Ford

Review: Z by Michael Thomas Ford

Following the commercial success of several zombie fictions presented in different mediums such as Carrie Ryan’s Forest of Hands and Teeths series, Charlie Higson’s The Enemy series, Robert Kirkman’s graphic novel-turned-tv series Walking Dead, and movies like 28 Days Later and Shaun of the Dead, it is no doubt that zombies are now popular more than ever. But once a genre like this gains popularity, one can always expect that there will be the occasional(an understatement) duds that will worm its way to the market. Michael Thomas Ford’s Z, I’m afraid to say, is one of those  that falls under that dud category.

When zombie-torching video game fanatic Josh was invited to participate in a secret real life zombie torching, he was instantly hooked. He earns a handsome amount of money while playing the game he is addicted to — a deal like this couldn’t get any sweeter. Besides, he see no harm on playing the game especially when zombies are a thing of the past and the ones he is playing against in the arena are just mechanical…or so he thought.

It is painfully obvious right from the get-go that this novel had its eye set upon the high-octane action brought by zombies rather than the human conflicts of it.The dialogues between characters were there just for the sake of having something close to resembling a storyline. You could feel that the author was in a hurry to get to the next action sequence. Unfortunately. those action sequences were devoid of any real tension that could somehow compensate for the lack of characterization. There was no real sense of danger. I couldn’t get past the ridiculousness of having 4 zombies against 6 capable long-ranged weapons toting human players in an arena. Zombie Lessons 101: The strength of zombies lies in number. Also, the characters that ends up dead are reeking of death right from the very first page they appeared in.

I cannot understand why this was entitled Z. Z is the drug that makes the person who took it think and feel like a zombie. The Z drugs subplot didn’t do any favor other than adding an unintentionally funny machismo mafia feel to this otherwise uninspired zombie story. Perhaps this novel would have been better had the author chose to present the side-effects of Z, the internal struggle Josh had to face on being Z-dependent and losing his grasp to differentiate human reality and zombie reality as the climax. I think that’s more interesting than a frantic escaped from an old asylum populated by 12 zombies. It could have offered an entirely new perspective to this genre.

Michael Thomas Ford’s Z is a zombie novel that sets aside human conflicts in place of mildly exciting zombie-torching action sequences that could have fared better as a 90-minute feature film. If you’re looking for a zombie novel with tension and slightest amount of substance, look elsewhere.

Rating: ★★★★

Other Reviews to Consider:
Taking a Break | Jawas Reads, Too! | One More Page

Review: Mortal Engines by Philip Reeve

Review: Mortal Engines by Philip Reeve

With the dystopian boom the market is now seeing, it’s kind of hard to find a true dystopian novel. Strange, isn’t it? There are lots of ‘dystopian’ novels being published these days but only few of it really fits the genre. Yeah, some books tries but that’s what makes the difference: it tries, it doesn’t just be. Gone was the bleak tone of the narrative. Gone was the relentless nature of the society. Gone was the subtle questions the readers have to ask themselves. What we have instead is a love story that happens to occur in a pseudo-dystopian– pseudo because it feels completely artificial– society. It sucks. I’m not saying that a dystopian novel can’t have a love story in it. It can but it doesn’t have to be the element that thrust the narrative forward and it certainly doesn’t have to be the only thing that defines and motivates the heroes. Remember MT Anderson’s Feed? One of the best in this genre, in my opinion. Romance was very prominent in that book but it was never wholly about the romance.

Of course, we have different standards as to what books we qualify as dystopian. I am just speaking for myself and I am simply not a fan of the kind of dystopian novels that are being published recently. How do I satisfy my hunger for books that in my standards qualifies as dystopian? I look for titles that were released before the genre became insanely popular. That is exactly how I came across Philip Reeve’s Mortal Engines. I can say that this strategy works because Mortal Engines is an honest-to-goodness dystopian novel. I love it.

After a long time of staying idle, the London traction city is back on its wheels, ready to hunt smaller towns. Everyone in the city is excited including Tom Natsworthy, a third-class apprentice in the Guild of Historians. But after saving his hero who is also the city’s darling, Valentine, from an assassination attempt, he found himself thrown off the mobile city with no less that the would-be assassin herself, Hester Shaw. As he spends time with this mysterious and scarred girl and board mobile town after mobile town in hope of chasing his beloved city, he slowly uncover the truth behind the Lord Mayor’s decision to return to the Hunting Ground. Tom has to choose a side and act fast before history repeats itself and the civilization he know meets its doom.

One of the most notable things about Mortal Engines is Philip Reeve’s finesse on tying together pacing and world-building, something we don’t get to see too often. The world as we know it almost died after the so-called  60-Minute War, leaving few cities with a poisoned land and scarce resources. In order to survive to this kind of environment, these cities adapted Municipal Darwinism, a system in which they had to build their cities on wheels and hunt one another to get resources. This system resulted to a literal town-eats-town world. Without reading the book, it is rather hard to wrap your head around this idea but the amount of detail Philip Reeve puts into the novel made this idea appear plausible. It felt complete and it made a lot of sense.

The Traction City of London Chasing After a Small Mining Town

After reading that paragraph, it would seem that this novel is heavy on world-building. It is not. Trust me, I put down a lot of epic fantasy books already because of its exhausting information dumps just to create a believable world. Mortal Engines is a mile far from those kind of books. There was not a point in the novel when Tom and Hester’s adventure was halted to give way to detailed explanations of how different their world is from us. It’s an exhilirating chase to the breathtaking(and harrowing) finale. You’d be at the edge of your seat every moment of their thrilling adventure.

The complexity of the characters are also worth mentioning. As we explore the vast emptiness of the Hunting Ground, we are also introduced to the characters, who they are, what they want and what motivates them. This doesn’t applies only to the lead characters but also the secondary ones, and it’s a pretty big cast, mind you. These characters make the terrible mistakes and pay for it later on. They have unpleasant motivations. They are certainly the kind of people in their history that almost killed earth. These characters are incredibly flawed that makes them incredibly human.

Mortal Engines can be enjoyed on so many levels. Philip Reeve is an author that doesn’t compromise. The amount of thought he gave into realizing his imagined world, weaving plot points, creating tension and drawing complex characters makes this novel worth-reading. This is a very gripping and grim story set in a fully-realized dystopian society — this is exactly how I want my dystopian novels served.

Rating: ★★★★★

Other Reviews to Consider:
Thirst for Fiction | See Michelle Read | TeenReads

Review: Grip of the Shadow Plague(Fablehaven #3) by Brandon Mull

Review: Grip of the Shadow Plague(Fablehaven #3) by Brandon Mull

The middle part of fantasy series are always the trickiest. The world is already established in the first book(s) and information about the series-long plot are held back for the finale. Middle part books are always the one that is the most forgettable and there are cases when these books are just fodders. Such is the case in Michael Scott’s Secrets of the Immortal Nicholas Flamel and even Rick Riordan’s Percy Jackson. I love both of these series but if you ask me what happened in The Necromancer or Battle of the Labyrinth, I will likely just give you a two-sentence long summary or worse, a blank stare. But if you ask me about the first book or the finale, I would tell you everything in detail and with vigor your ears might bleed.

It is one of the most common writing traps. Authors tends to play some of their aces in the first book to hook you in and the rest of their remaining aces in the finale to blow your mind and make a lasting impression. Now, it’s either Brandon Mull is a cheater or a magician that he has endless supply of aces or he is just skillful on distributing fair amounts of it in his books. I personally prefer the former for it is way more wicked.

Grip of the Shadow Plague starts several weeks after the events of Rise of the Evening Star with Kendra being invited to join the Knights of Dawn, a secret society which function is to protect all the magical preserves across the globe. Right after joining the society, she was assigned to retrieve another secret artifact hidden at a preserve in Arizona, The Lost Mesa. Meanwhile at Fablehaven, Seth is not missing out any actions as the creatures – even those without fallen states – are turning into creatures of darkness. Creatures known to be gentle and nurturing are transformed into wild and savage beasts. The Shadow Plague is spreading fast and they must find a way to stop it before in consumes the entire magical preserve making Fablehaven just a part of history.

Brandon Mull continues to impress me by writing the third book in this ever-imaginative series in dual narratives. The transitions were not seamless but both were engaging and very exciting. The Lost Mesa is a very interesting preserve. Creatures that inhabits this preserve are different from Fablehaven(there are zombies!), albeit much more dangerous. It also follows an entirely different set of rules and hides its own secrets. Fablehaven itself has its own deep dark secrets and a grim history that were exposed in this book.  This is what makes this series truly, well, magical – the preserves are characters of its own.

Grip of the Shadow Plague, literally and figuratively, took a much darker turn compared to its predecessors. There were lives sacrificed, and the characters’ motives lies within the thin line that separates good and evil. There was also a time travel subplot that ended with a tragic and heartbreaking conclusion. Our heroes were more matured – Kendra has less doubt in herself than before and there were lesser amount of times I wanted to scream at Seth – but nothing prepared them for the dire events happened in this book. The only flaw I can complain about in this installment is how Mull kept his characters clueless about a certain conflict even if the answer was staring at their faces, or Kendra’s face at least. This isn’t enough to topple one star, though, cause this particular conflict is not really the focus of this book and there were too much going on for me to be distracted and forget about it at the most crucial points of the story. I think its part of Kendra’s characterization, anyway. She’s too trusting to suspect anyone. These things I’m sure will happen in the next book, Secrets of the Dragon Sanctuary: enemies will be unmasked, hearts will be broken, Brandon Mull will continue to show off his storytelling prowess and Aaron, once again, will be left breathless.

Review of Rise of The Evening Star(Fablehaven Book 2)

Rating: ★★★★★

Other Reviews to Consider:
Becky’s Book Reviews| BSC Reviews| My Literary Quest